foodways

Knowledge Symbiosis with Roxanne Swentzell and Anne LaForti

 

Speaker: Roxanne Swentzell and Anne LaForti | Air Date: January 26, 2024 | Run Time: 62 mins | Season 4
Cover art by John Jairo Valencia

 

Knowledge Symbiosis with Roxanne Swentzell and Anne LaForti

In the fourth episode of our limited series Knowledge Symbiosis: Can Biomimicry and Indigenous Science Harmonize?, Roxanne Swentzell and Anne LaForti engage in a conversation hosted by Sara El-Sayed, converging Indigenous ideologies and scientific understanding of soils, seeds, regenerative versus sustainable terminologies, and steps to healing ourselves and our ecosystems.

Series Synopsis

This limited series, Knowledge Symbiosis: Can Biomimicry and Indigenous Science Harmonize?, is produced by The Cultural Conservancy’s Native Seed Pod in collaboration with Arizona State University and Learning From Nature: The Biomimicry Podcast. We invite dialogue from multiple perspectives—practitioners in biomimicry, and elders, practitioners, and Indigenous scholars—so we might better understand each other and explore opportunities to weave these learnings. These conversations delve into the ethics of science, human-nature connection, regenerative design, and our relationship to all other kin on this planet. Five episodes will be available on The Native Seed Pod and Learning From Nature: The Biomimicry Podcast for listeners to tune in and reflect. The episodes are hosted in rotation by Dr. Melissa K Nelson, Dr. Sara El-Sayed, and Lily Urmann, and feature conversations between Indigenous scholars and practitioners: Kim Tall Bear, PennElys Droz, Melissa Nelson, and Roxanne Swentzell; and Biomimicry scientists and practitioners: Janine Benyus, Dayna Baumeister, Maibritt Pedersen, and Anne LaForti.

We don’t even have a language for it in English. There’s a relationship, there’s a nurturing that goes beyond just eating healthy food. There’s something that happens on a spiritual level that I think we really need to take into account. That’s medicine. When they say food is medicine, it’s not just the nutrients in it. It’s the whole connection. It’s all of the parts that make us related to that tomato, that corn, that squash, that pineapple–wherever you’re from.
— Roxanne Swentzell

Photo by New Mexico True

About Roxanne Swentzell

Roxanne Swentzell is a Santa Clara Tewa Native American sculptor, ceramic artist, Indigenous food activist, and gallerist.

Roxanne is a prominent Santa Clara Pueblo clay and bronze sculptor and contemporary artist whose award-winning works are featured in major public collections, including the Museum of Indian Arts and Culture in Santa Fe, the Smithsonian’s National Museum of the American Indian, Cartier in Paris, and other world-class museums and venues. 

Growing up within an artist family allowed Roxanne to naturally take up her mother's clay and start sculpting at a very early age. Her figures represent a full range of emotions and irrepressible moods. Roxanne Swentzell focuses a lot on interpretative female portraits attempting to bring back the balance of power between the male and female, inherently recognized in her own culture. Additionally, she increasingly uses a powerful sense of humor to communicate. Though steeped in her own culture, Roxanne's work demonstrates an astounding universality, speaking to people of all cultures. 

Today, Roxanne’s deeply emotive works and unique artistic style continue to be recognized and renowned worldwide. Using the ancient technique of layering coil upon coil, her large, contemporary works reflect the range of the human experience, connecting with both Native and non-Native audiences.

In 2013, Roxanne led the Pueblo Food Experience, where 14 Pueblo volunteers ate, for three months, only ancestral foods available before colonization, and the results were studied and published. She also runs the non-profit Flowering Tree Permaculture Institute, which she helped found in 1989, working to inspire and nurture communities based on Indigenous ways of knowing. The Institute provides workshops, shares resources, trains interns, creates sustainable ecosystems, renews the earth, builds, hosts gatherings, grows food, teaches, and supports the community.

Roxanne keeping bees - photo via Flowering Tree Permaculture Institute

Roxanne’s outdoor patio

 

Photo credit: Anne Laforti 

About Anne Laforti 

Anne LaForti is a soil health expert with a Master’s in Biomimicry from Arizona State University. She is a project manager at Biomimicry 3.8, supporting nature-based innovation in the built environment through “Project Positive.” Anne is deeply interested in soil science, microbiomes, mycology, rainwater catchment, urban and regenerative agriculture, and growing nutrient-dense foods. She was the 2022 Spring Nature, Art, and Habitat Residency (NAHR) Fellow in Santa Ynez, where she worked on “Soil as Pattern Language: Emulating Healthy Soil Communities” and is currently a NAHR Ambassador. Anne is committed to creating regenerative designs that support healthy ecosystems to help heal the soils of California and beyond. 

Group collaboration and creativity at the Biomimicry Immersion workshop in Mill Valley, Northern California

School Garden:  Clifton Middle School's garden care team - during their first work day, as we planted a tree, covered the soil, and tended the compost

 

about Sara El-Sayed

Sara El-Sayed has a joint position as the Co-Director of the Biomimicry Center and Assistant Research Professor at the Swette Center for Sustainable Food Systems. El-Sayed has a doctorate in food system sustainability, specifically on regenerative food practices in arid regions, and a master's in Biomimicry, both from ASU. She also has a Biomimicry Professional Certificate from Biomimicry 3.8. She held a postdoctoral position at the School for Future Innovation and Society, in Public Interest Technology. Her research interests include exploring ways to have more regenerative and net-positive local food systems, and she is currently involved in the local Arizona food space. Previously she worked as a researcher in Biomimicry and microbial geographies.

El-Sayed is the co-founder of several enterprises in Egypt. Nawaya is a social enterprise working as a catalyst to transition small-scale farmer communities into more sustainable ones through education and research. Dayma is an LLC responsible for outdoor Environmental Education, teaching young adults about Biomimicry and local Egyptian communities. Clayola is an LLC producing low-tech irrigation systems. She is an avid traveler, nature lover, and enjoys tasting foods, cooking and interacting with people through food experiences. Sara is on the board of Slow Food, an international movement that started in Italy aiming to safeguard local food cultures and traditions and does so by promoting Good, Clean, and Fair food for all. Sara has also worked on other podcasts including a series on regenerative food systems.



CREDITS

Host/Writer/Director: Melissa Nelson, Sara El-Sayed, Lily Urmann
Producers: Mateo Hinojosa, Sara Moncada
Co-producer: Raven Marshall
Audio Engineering: Colin Farish
Audio Recording: Melissa Nelson, Raven Marshall, Alexis Stanley
Episode cover artwork: John Jairo Valencia

Original Soundscapes and Songs

Soundscapes and Music Composed and Produced by Colin Farish
Listen to more of Colin’s music at colinfarish.com

Song credits

Music and soundscapes composed, produced, arranged by Colin Farish
Theme song: “Life” By Colin Farish
From the album Colin Farish: “Curious Species”

Featuring:
piano: Colin Farish
percussion: Airto Moreira
guitar: Peter Medlam
bass: Chas Thompson

The Native Seed Pod is produced by The Cultural Conservancy

 
 


Campfire with Kumu: A gathering (around the campfire) of the LA's Soil Sponge Collective in the Sierra Nevada mountains to learn from nature and Kumu Mikilani Young, holding space for Indigenous wisdom and regenerative healing of place

Biomimicry LA (Los Angeles) "Functions of Plants" Walk at the Los Angeles Arboretum and Botanical Garden, facilitated by Botanist Frank McDonough

Indigenous Food Warriors with Chef Crystal Wahpepah

Speaker: Crystal Wahpepah | Air Date: June 20, 2022 | Run Time: 48mins | The Native Seed Pod: Season 3

Indigenous Food Warriors with Chef Crystal Wahpepah

Guest Host Sara Moncada sits down with Chef Crystal Wahpepah in Wahpepah’s Kitchen, her newly opened Native-owned restaurant in Oakland, California. In a wide-ranging and intimate conversation, they discuss Crystal’s vision of what it means to be an Indigenous Food Warrior: nourishing community through cooking and serving Native foods and educating the next generation on the power and beauty of traditional Indigenous food systems. From her work as a traveling caterer to opening her first restaurant in the heart of the Bay Area Native community, Crystal shares her journey of exploring the deep connection with our foods and food traditions through knowing our ingredients’ origins, through revitalizing traditional trade networks, and by sourcing seeds and foods grown from trusted community rooted in land. Join us as Crystal and Sara talk story about the path of Wahpepah’s Kitchen, the healthy responsibility of traditional lands and foods tending, and what it means to be able to offer these kinds of connections to the next generation.

This conversation was recorded on March 15, 2022 at Wahpepah’s Kitchen in Oakland, California.

Mural in Wahpepah’s Kitchen restaurant - art by NSRGNTS

I see a big ol’ plate of healing, flavor, something that’s from this land, and that connection. Even though I’m Kickapoo, we all have that connection.
— Crystal Wahpepah

Crystal Wahpepah (Kickapoo)

ABOUT CRYSTAL WAHPEPAH

Crystal Wahpepah is an enrolled member of the Kickapoo nation of Oklahoma. She was born and raised in Oakland, California, on Ohlone land, surrounded by a multi-tribal, tight-knit, urban Native community. Crystal’s objectives for Wahpepah’s Kitchen are threefold: (1) to acknowledge that we live on stolen land; and (2) how that acknowledgement connects to the reclamation of Native food ways (food sovereignty); as well as (3) to educate communities and organizations on the health benefits of Native Foodways using the knowledge passed onto her.

Crystal does not merely cater events and go—she speaks on where her food comes from and honors its roots, its Indigenous cultivators and stewards and its place within the seasons. This is why you will always see diversity in her food, because Wahpepah’s Kitchen honors the seasons with changing menus and product availability.  Crystal’s creations through food and community shine with joy, lightness of heart, and are led by a solid internal compass. 

Crystal has catered and done educational talks in many forums that span local community settings, the tech world, non-profit organizations and educational institutions.  Crystal has worked with the American Indian film festival, Facebook, Twitter, Google, Salesforce, WeWork, UC Berkeley, Cal Poly, UCSF and the National Indian Health Board.  This is a small sample that illustrates the diversity of Crystal’s reach.  She has traveled all over the country attending food summits and building networks with other Native American and Indigenous farmers, land stewards and chefs. 

Crystal was recently nominated for the prestigious James Beard Award for Emerging Chefs.

The open pantry in the eating area of Wahpepah’s Kitchen in Fruitvale, Oakland, California.

Chef Crystal Wahpepah caters an event at The Cultural Conservancy’s land project, Heron Shadow, with traditional salmon, buffalo and more.

CREDITS

Host/Writer/Director: Sara Moncada
Producers: Mateo Hinojosa, Sara Moncada, Melissa Nelson
Audio Editor and Engineer: Colin Farish
Audio Recordist: Mateo Hinojosa
Photography: Mateo Hinojosa, Alexandru Salceanu
Transcript correction and additional editing: Alexandru Salceanu

ORIGINAL Songs

Opening Theme Music - Colin Farish featuring Airto Moreira
Soundscapes and Music Composition - Colin Farish
Piano, Guitar & Flute - Colin Farish, Sudhananda Paul Greaver
Flute - Enrique Salmón
Voice: L Frank Manriquez
Frame Drums - Glen Velez
Bass - Terry Miller
Drums - Bob Blankenship

Songs Used by Permission

Origins sung by Michael Bercier, courtesy of Sewam Dance
Crow Hop sung by Michael Bercier, courtesy of Sewam Dance

Seed Rematriation with Becky Webster

Speaker: Shelley Buffalo | Air Date: November 4, 2021 | Run Time: 34mins | The Native Seed Pod: Season 3

Speaker: Becky Webster | Air Date: November 30, 2021 | Run Time: 54 mins | The Native Seed Pod: Season 3

Seed Rematriation with Becky Webster

Harvesting beans at Ukwakhwa

Host Melissa Nelson sits down with Becky Webster, Oneida farmer, seedkeeper and attorney. Their conversation explores the challenges and joys of being a Native farmer, cultivating recently rematriated crops, navigating both market and trade economies, and more.

This episode is the third of three episodes focused on Seed Rematriation, and is a co-production of The Cultural Conservancy and Native American Food Sovereignty Alliance’s (NAFSA) Indigenous Seed Keepers Network (ISKN). These episodes are part of a collection of Seed Rematriation media that we have co-produced with NAFSA and Rowen White of ISKN.

This conversation was recorded on August 9, 2021.

Ukwakhwa means Our Foods, Where We Plant Things. So it’s more than just about planting seeds in the ground. It’s about planting these ideas in our community about reclaiming, who we are, reclaiming our relationships with our foods and our relationships with each other.
— Becky Webster

About Becky Webster

Dr. Rebecca Webster is an enrolled citizen of the Oneida Nation. She is a founding member of Ohe∙láku (among the cornstalks) a co-op of 10 Oneida families that grow 6 acres of traditional, heirloom corn together. She and her husband also own a 10 acre farmstead where they primarily grow Haudenosaunee varieties of corn, beans, and squash. Their philosophy is that every time an indigenous person plants a seed, that is an act of resistance, an assertion of sovereignty, and a reclamation of identity. With these goals in mind, an Oneida faithkeeper named their 10 acre homestead Ukwakhwa: Tsinu Niyukwayayʌthoslu (Our foods: Where we plant things). Based on their farming practices, they started a YouTube Channel called Ukwakhwa (Our Foods) where they share what they learned about planting, growing, harvesting, seed keeping, food preparation, food storage, as well as making traditional tools and crafts. Most recently, their family formed a 501(c)(3) nonprofit organization, Ukwakhwa Inc., to help advance their goals of helping share knowledge with the community.

Additional Resources 

Haudenosaunee Bear Paw Beans (Scarlet Red Runners), one of the many seeds appearing in this episode

CREDITS

Host/Writer/Director: Melissa K. Nelson
Producer: Mateo Hinojosa
Co-Producer: Sara Moncada
Special Co-Producer: Rowen White
Audio Editor and Engineer: Colin Farish
Photography: Cale Stelken, Mateo Hinojosa

Song Credits

Music by: Colin Farish
Voice: Capomo
Keyboards, drums, flute, sound design: Colin Farish
Violin: Savannah Jo Lack
Cello: Robin Bonnel
Oboe: Paul McCandless
Recorded and mixed by Colin Farish at Stillwater Sound, San Francisco CA
(c)(p) Winds of the Muse ASCAP 2021. Used with permission.


This short film, highlighting the essence of the Seed Rematriation movement, is part of the collection of media that includes this podcast episode. It features Becky Webster and seeds that have been rematriated.

Seed Rematriation with Shelley Buffalo

Speaker: Shelley Buffalo | Air Date: October 8, 2021 | Run Time: 41mins | The Native Seed Pod: Season 3

Speaker: Shelley Buffalo | Air Date: October 8, 2021 | Run Time: 41mins | The Native Seed Pod: Season 3

Seed Rematriation with Shelley Buffalo

Tama Flint corn picked at the green stage, with its great variety of colors.

Tama Flint corn picked at the green stage, with its great variety of colors.

In this episode, Shelley Buffalo talks with host Melissa Nelson about the healing power of ancestral foods, feeding the community with rematriated crops and medicines, and her work with Meskwaki Food Sovereignty Initiative, Red Earth Gardens and Seed Savers Exchange. They also explore the power of art and the beauty of seeds.

This is the second of three episodes focused on Seed Rematriation, and is a co-production of The Cultural Conservancy and Native American Food Sovereignty Alliance’s (NAFSA) Indigenous Seed Keepers Network (ISKN). These episodes are part of a collection of Seed Rematriation media that we have co-produced with NAFSA and Rowen White.

This conversation was recorded on March 4, 2021.

Just embracing your ancestral foods really does give you that connection to your ancestors. You know, the boarding school era and the dispossession of land era and all of that, all of that just washes away. In one season and in one bite of that food, you regain that connection and it’s just an incredibly beautiful and powerful thing.
— Shelley Buffalo
Tama Flint corn picked at the green (milky) stage being cooked over fire. The corn is processed by parboiling for about 15 minutes. This is the first step in processing for dry storage. Once cool, it is shelled from the cob and the kernels are dried in the sun over several days.

Tama Flint corn picked at the green (milky) stage being cooked over fire. The corn is processed by parboiling for about 15 minutes. This is the first step in processing for dry storage. Once cool, it is shelled from the cob and the kernels are dried in the sun over several days.

About Shelley Buffalo

Shelley_Buffalo_portrait_2020.jpg

Shelley Buffalo is an enrolled member of the Meskwaki Tribe, also know as the Sac & Fox of the Mississippi in Iowa. Shelley served her community as Meskwaki Food Sovereignty Coordinator and now offers consultancy for food sovereignty and local foods initiatives. She is an advocate for indigenous food ways, food justice, and rematriation. A mother of two sons, Shelley made a living as a house painter and artist before finding her passion in farming and seed saving.

The Meskwaki are unique in that their land based community is a settlement, not a reservation. Established in 1857 with the purchase of 80 acres near Tama, Iowa, the Meskwaki Settlement has grown to approximately 8,400 acres.

Ruth Buffalo (Shelley’s mother) and Charlie Old Bear (Shelley’s stepfather) spreading out the parboiled Tama Flint green corn to sun dry

 

Additional Resources 

CREDITS

Host/Writer/Director: Melissa K. Nelson
Producer and Editor: Mateo Hinojosa
Co-Producer: Sara Moncada
Special Co-Producer: Rowen White
Sound Recordist: Mateo Hinojosa, Cale Stelken
Sound Designer and Audio Engineer: Colin Farish
Photography: Cale Stelken, Shelley Buffalo, Mateo Hinojosa

Meskwaki Tama Flint corn picked at the green stage

Meskwaki Tama Flint corn picked at the green stage

Song Credits

Mohawk Women’s Dance
Sung by: Rowen White
Field Recording: Mateo Hinojosa

Opening Interlude
Drums, flute: Colin Farish
Cello: Premdip Ted Lasker

Closing Interlude
Colin Farish, Premdip Ted Lasker, & Alexandrea Oswalt

(c)(p)2021 Winds of the Muse ASCAP
Used with permission

All Other Music
Music by: Colin Farish

Sun-drying strips of winter squash in Meskwaki

Sun-drying strips of winter squash in Meskwaki


This short film, highlighting the essence of the Seed Rematriation movement, is part of the collection of media that we have co-produced with NAFSA and that includes this podcast episode. It features Shelley Buffalo and many seeds that have been rematriated.

Seed Rematriation with Jessika Greendeer

Speaker: Jessika Greendeer | Air Date: September 6, 2021 | Run Time: 34mins | The Native Seed Pod: Season 3

Speaker: Jessika Greendeer | Air Date: September 6, 2021 | Run Time: 34mins | The Native Seed Pod: Season 3

Seed Rematriation with Jessika Greendeer

Zoom-Conversation-Screenshot.png

In the first episode of Season 3 of The Native Seed Pod, our host Melissa Nelson talks with Jessika Greendeer of Ho-Chunk Nation, who is the Seed Keeper and Farm Manager at Dream of Wild Health in Minneapolis, Minnesota. Jessika and Melissa discuss the growing Seed Rematriation movement, seed keeping and agriculture, and her work at Dream of Wild Health.

This episode is the first of three episodes focused on Seed Rematriation, and is a co-production of The Cultural Conservancy and Native American Food Sovereignty Alliance’s (NAFSA) Indigenous Seed Keepers Network (ISKN). These episodes are part of a collection of Seed Rematriation media that we have co-produced with NAFSA and Rowen White of ISKN.

This conversation was recorded on October 8, 2020.

Being a seed keeper, it’s a big responsibility. It’s a heavy title to carry. Everything we do as Native people, we always think about our future generations: being able to hold the future in your hands and also being able to hold the past in your hands at the same time. It’s an amazing journey and I’m grateful to be on it.
— Jessika Greendeer
Red Beauty Corn

Red Beauty Corn

Additional Resources 

CREDITS

Host/Writer/Director: Melissa K. Nelson
Producer: Mateo Hinojosa
Co-Producer: Sara Moncada
Special Co-Producer: Rowen White
Audio Editor and Engineer: Colin Farish
Photography: Cale Stelken, Mateo Hinojosa

Song Credits

Standing on the Ridge
Music by: Colin Farish
Voice: Capomo
Keyboards, drums, sound design: Colin Farish
Violin: Savannah Jo Lack
Cello: Robin Bonnel
Oboe: Paul McCandless
Recorded and mixed by Colin Farish at Stillwater Sound, San Francisco CA, and at Forest Flower Studio, Mill Valley CA, recorded by Andre Zweers at Screaming Lizard Studio, Petaluma CA, and mastered by Sudhananda Paul Greaver.
(c)(p) Winds of the Muse ASCAP 2021. Used with permission.


This short film, highlighting the essence of the Seed Rematriation movement, is part of the collection of media that includes this podcast episode. It features Jessika Greendeer and seeds that have been rematriated.

The Poetry of Sacred Food Culture: Conversations with Simon Ortiz

Speaker: Simon Ortiz | Air Date: March 2nd, 2020 | Run Time: 53mins | The Native Seed Pod: Season 2

Speaker: Simon Ortiz | Air Date: March 2nd, 2020 | Run Time: 53mins | The Native Seed Pod: Season 2

The Poetry of Sacred Food Culture: Conversations with Simon Ortiz 

In the final episode of Season 2 of The Native Seed Pod, podcast host Melissa Nelson sits down with famous Acoma Pueblo writer, poet, and storyteller Simon J. Ortiz at the Mesa Refuge writers retreat in Point Reyes, California. 

IMG_9798.jpeg

During their time together, Melissa and Simon touch on many topics of varying depths; from the intricacies of traditional tribal identities to the wonder of our traditional foods, to our role as Indigenous peoples in the future of ‘green’ urban development on our traditional territories.

Simon’s gentle ease and wise words amplify simple truths and ground large heady concepts, leaving us open to receive the immensity of his final gift a sharing of his poem, Deer Dinner.

We are honored that this episode was an official selection for the 2022 imagineNATIVE Film + Media Arts Festival.

 
Culture is knowledge and knowledge is the basic elemental resource that we have in conducting our lives.
— Simon J. Ortiz

Woven Stone - book by Simon J. Ortiz

About Simon J. Ortiz

A tribal member of the Acoma Pueblo, Simon J. Ortiz became one of the most significant Native American writers of the twentieth century, being a major contributor to the Native American Renaissance in the late 1970s. Simon’s words and stories are infused with the presence and spirit of his first language, Acoma, and have been collected and published in over 25 collections of poetry and storytelling over the last 50 years. As a public speaker, author, and professor he has been recognized for countless awards and commendations. Ortiz is Professor Emeritus at Arizona State University and resides in Phoenix, Arizona.

Simon Ortiz at Amerind Museum with Linda Hogan and John Ware

Simon Ortiz at Amerind Museum with Linda Hogan and John Ware


Culture and The Universe

Simon J. Ortiz – Out There Somewhere

(University of Arizona Press, 2002)

 

Two nights ago
in the canyon darkness,
only the half-moon and stars,
only mere men.
Prayer, faith, love,
existence.
                       We are measured
by vastness beyond ourselves.
Dark is light.
Stone is rising.
I don’t know
if humankind understands
culture: the act
of being human
is not easy knowledge.
With painted wooden sticks
and feathers, we journey
into the canyon toward stone,
a massive presence
in midwinter.
We stop.
                       Lean into me.
                       The universe
sings in quiet meditation.
We are wordless:
                       I am in you.
Without knowing why
culture needs our knowledge,
we are one self in the canyon.
                       And the stone wall
I lean upon spins me
wordless and silent
to the reach of stars
and to the heavens within.
It’s not humankind after all
nor is it culture
that limits us.
It is the vastness
we do not enter.
It is the stars
we do not let own us.

star-trails-over-the-rocky-landscape_AndrewPreble-GoodFreePhotos.jpg

Additional Resources 

CREDITS

Host/Writer/Director: Melissa K. Nelson
Producer: Sara Moncada
Co-producer and photographer: Mateo Hinojosa
Audio Editor and Engineer: Colin Farish
Production Assistant: Teo Montoya
Photography: Melissa Nelson, Andrew Preble

Songs (in order of appearance):

Music by Colin Farish
Drums, flutes, and keyboards by Colin Farish
Voice, Taos drum, and jingles by Eddie Madril
Drums by Glen Velez
English horn by Paul McCandless
Cellos by Fogtown Cello Quartet
Female vocals by Teresa Nelson

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Hawaiian Cartography and 'Aina Sovereignty

Speakers: Renee Pualani Louis | Air Date: February 1, 2020 | Run Time: 52mins | The Native Seed Pod: Season 2

Speakers: Renee Pualani Louis | Air Date: February 1, 2020 | Run Time: 52mins | The Native Seed Pod: Season 2

Hawaiian Cartography and ‘Aina Sovereignty

Cover of Kanaka Hawai’i Cartography: Hula, Navigation, and Oratory

Cover of Kanaka Hawai’i Cartography: Hula, Navigation, and Oratory

Rooting us further into the Indigenous cosmologies of the Pacific (Moana), podcast host Melissa Nelson catches up with Hawaiian Cartographer Renee Pualani Louis during a writers’ retreat at the Mesa Refuge in Point Reyes, California.

Renee shares her experience of being changed while writing her book Kanaka Hawaiʻi Cartography: Hula, Navigation, and Oratory (2017),  which explores Kanaka Hawai’i place-name and spatial knowledge systems. We are met with the breadth of Hawaiian, place-based language and knowledge of ‘Aina – the land-food matrix. Deep in intimate conversation, together we traverse stars and seasons, plants and mountains, and how to embody food sovereignty, self-determination, and nourish relationships of food and community.

. . . . you can see how the bones of our ancestors are really what’s feeding the generations to come, and again, this is how we become invested in the landscape.
— Renee Pualani Louis

About Renee Pualani Louis

Renee Pualani Louis is a Hawaiian cartographer passionate about Hawaiian storied place names, spatial knowledge systems, and an advocate for the integration of indigenous knowledge systems into Western Geosciences.

A leader of her field, Louis is a graduate of The University of Hawai‘i at Mānoa, a Co-Chair of the Indigenous Peoples Specialty Group of the American Association of Geographers, the 2014 co-recipient of the American Association of Geographers Enhancing Diversity Award, and a member of CHIRP3 Working Group, whose goal is to develop new guidelines for building collaborations between Native and non-Native researchers working with Native communities.

Additional Resources

CREDITS

Host/Writer/Director: Melissa K. Nelson
Producer: Sara Moncada
Co-producer and photographer: Mateo Hinojosa
Audio Editor and Engineer: Colin Farish
Production Assistant: Teo Montoya
Additional Photography: Melissa Nelson

Songs (in order of appearance):

“Plants of the Sea, Ka Uluwehi O Ke Kai” by Del Medina, Linda Low, and Colin Farish

Kai Ora: Māori stories of life-giving foods across Moana

Speakers: Wikuki Kingi & Tania Wolfgramm | Air Date: January 18, 2020 | Run Time: 44mins | The Native Seed Pod: Season 2

Speakers: Wikuki Kingi & Tania Wolfgramm | Air Date: January 18, 2020 | Run Time: 44mins | The Native Seed Pod: Season 2

Kai Ora: Māori stories of life-giving foods across Moana

Traditional umu (earth-oven) cooking, Tonga, 2019

Traditional umu (earth-oven) cooking, Tonga, 2019

Māori knowledge-holders Wikuki Kingi (Māori) and Tania Wolfgramm (Māori/Tongan) take us into the deep waters of Pacific Islander cosmologies, technologies, and foodways. 

On a sunny fall afternoon in the shadow of Mount Tamalpias, Seed Pod host Melissa Nelson and producer Sara Moncada sat down with Wikuki and Tania for a cup of tea to talk stories of land and foods across the Pacific. From the masterful Indigenous sciences of land and ocean, food and water (known to Māori peoples as kai wai), to the many foods of Aotearoa we explore the deep knowledge and nourishing relationships held across moana nui.

Across the pacific we have the same word for our food, which is KAI. ‘KA’ is our word for energy, and ‘I’ infers our divinity. So we are actually talking about food as being divine energy. Kai means everything to us, without Kai we don’t exist.
— Tania Wolfgramm

Wikuki with a Māori Pukaea

About Wikuki Kingi

As a Tohunga Whakairo/Master Carver, with over 40 years’ experience, Wikuki has created many heritage taonga (treasures), including the intricately carved masterpiece Pou Kapūa, the tallest Māori/Pacific carving in the world. Wikuki is a founding trustee of Pou Kapua Creations Trust and the HAKAMANA Virtual Reality Collective; convenor and founding member of Planet Māori and the Te Ha Global Alliance. Wikuki has many relationships throughout New Zealand and the Pacific and continues to learn and build on his passion for Mana Whenua and Indigenous community development, cultural resilience and robust futures, believing stronger identities make stronger people and families.

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About Tania Wolfgramm

A creative producer, Native technologist, voyager, and storyteller, Tania hails from the Māori tribes of Aotearoa New Zealand and the beautiful island of Vava’u, of the Kingdom of Tonga. Following ancestral footsteps, she creates cultural taonga (treasures) in multiple media from stone and bronze to augmented and virtual reality. Tania is the founder of HAKAMANA Integrated System of Transformative Design, Development and Evaluation, which has been applied in technology, higher education, and healthcare. With her Global Reach Initiative and Development (GRID) Pacific Team, she captures incredible high-resolution imagery of Pacific peoples, places, cultures, and languages that (with their permission) is shared with the world.

Additional Resources 

CREDITS

Host/Writer/Director: Melissa K. Nelson
Producer: Sara Moncada
Co-producer and photographer: Mateo Hinojosa
Audio Editor and Engineer: Colin Farish
Production Assistant: Teo Montoya
Photography: Mateo Hinojosa, Melissa Nelson

Songs (in order of appearance):

Station ID break music credit:  excerpt from composition for Ocean Trilogy Dance Production (Spector Dance) by Colin Farish. Piano by Colin Farish and Jasnam Daya Singh.

Te Aroha sung by Waikuki Kingi and Tania Wolfgramm

Food Is Medicine: Native Health and Cultural Foodscapes - Part 2

Speakers: Dr. Lois Ellen Frank and Walter Whitewater | Air Date: December 28, 2019 | Run Time: 28mins | The Native Seed Pod: Season 2

Speakers: Dr. Lois Ellen Frank and Walter Whitewater | Air Date: December 28, 2019 | Run Time: 28mins | The Native Seed Pod: Season 2

Food Is Medicine: Native Health and Cultural Foodscapes - Part 2

Join us for Part 2 of Food Is Medicine with Native chefs Lois Ellen Frank and Walter Whitewater as we continue exploring their work on My Native American Power Plate, tribal-specific food cultures, decolonizing our diets, and handing off traditional food knowledge to the next generation. If you missed the first part listen to it here.

Walter and Lois, 2016

Walter and Lois, 2016

My Native American Power Plate - Diné Nation.

My Native American Power Plate - Diné Nation.

Additional Resources 

CREDITS

Host/Writer/Director: Melissa K. Nelson
Producer: Sara Moncada
Co-Producer/Photographer: Mateo Hinojosa
Audio Editor/Engineer: Colin Farish
Production Assistant: Teo Montoya
Additional photography: Matteo Troncone

Songs (in order of appearance):

  • Opening song: “Life” composed by Colin Farish with Airto Moreira on seed pods and percussion, Peter Madlem on guitar, Eddie Madril on vocals and drum (Colin Farish sound design)

  • “Fry Bread Song” Walter Whitewater

  • Justice Song” by Robert Woableza LaBatte (Dakota)

Food Is Medicine: Native Health and Cultural Foodscapes - Part 1

Speakers: Dr. Lois Ellen Frank and Walter Whitewater | Air Date: December 21, 2019 | Run Time: 39mins | The Native Seed Pod: Season 2

Speakers: Dr. Lois Ellen Frank and Walter Whitewater | Air Date: December 21, 2019 | Run Time: 39mins | The Native Seed Pod: Season 2

Food Is Medicine: Native Health and Cultural Foodscapes - Part 1

Walter and Lois, 2016

Walter and Lois, 2016

On a winter morning in Reno, Nevada, on the homelands of the Washoe nation, host Melissa Nelson has a conversation with Native chefs and health educators Dr. Lois Ellen Frank and Walter Whitewater. They all converged in this area for a “Food Sovereignty and Native Peoples Health” event at the University of Nevada, Reno, hosted by Dr. Deb Harry (Pyramid Lake Paiute), professor of Gender, Race, and Identity. 

For this first episode of season two, the Native Seed Pod dives into the topic of ‘Food is Medicine,’ learning from Lois and Walter about Native cuisine, healing through food, and the intercultural unity that can emerge through shared food traditions, or what they call “cultural foodscapes.”

Dr. Lois Ellen Frank

ABOUT LOIS

Lois Ellen Frank, Ph.D. (Kiowa) is a Santa Fe, New Mexico based Native American Chef, a Native foods historian, culinary anthropologist, educator, James Beard Award-winning cookbook author, photographer and organic gardener. She is the chef/owner of Red Mesa Cuisine, LLC a Native American catering company specializing in using Ancestral Native American ingredients all with a modern twist. Dr. Frank has spent over 25 years documenting and working with the foods and lifeways of Native Americans in the Southwest and other regions throughout the Americas. This lengthy immersion in Native American communities culminated in her book, Foods of the Southwest Indian Nations, featuring traditional and contemporary recipes, which won her the James Beard Award in the Americana category. She is also a Culinary Ambassador Diplomat with the U.S. State Department and Office of Cultural Affairs, where, with Chef Walter Whitewater (Diné), she has traveled to Ukraine, the United Kingdom, and Russia, to teach about the history of Native American foodways. She also teaches locally at the Institute of American Indian Arts in Santa Fe, New Mexico.

Walter Whitewater

Walter Whitewater

ABOUT WALTER

Walter Whitewater (Diné/Navajo) began cooking professionally in 1992 in Santa Fe, New Mexico.  He is a chef at Red Mesa Cuisine, LLC a Native American Catering company, specializing in Native American Cuisine using ancestral foods with a modern twist. Chef Whitewater has appeared on numerous food TV Network cooking shows featuring foods of the Southwest.  Chef Whitewater worked on the James Beard Award winning cookbook, Foods of the Southwest Indian Nations with Chef Lois Ellen Frank. He has traveled with Chef Frank, as part of the U.S. State Department and Consulate General’s Culinary Diplomacy Program to Ukraine, the United Kingdom, and Russia, where the two chefs promoted indigenous foods of the Americas through the culinary arts.  Chef Whitewater was the first Native American chef to cook at the James Beard House in New York City. He won the James Lewis Award in 2008 from BCA Global for his work as a Native chef. He is very active on using Ancestral Native American foods for health and wellness in Native American communities.

Additional Resources 

CREDITS

Host/Writer/Director: Melissa K. Nelson
Producer: Sara Moncada
Co-Producer/Photographer: Mateo Hinojosa
Audio Editor/Engineer: Colin Farish
Production Assistant: Teo Montoya
Additional photography: Lottie Hedley

SONGS (in order of appearance):

  • Cedar flute John-Carlos Perea

  • Final song Walter Whitewater